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Encountering Beauty: Ceramic

Today we’ll be hearing about the ancient and enduring craft of ceramics – from the elemental forming and firing of clay that has been advanced by so many civilisations to the ‘white gold’ of porcelain, and the potters and patrons who have dedicated themselves to its mysteries.    I’m delighted to be joined by two London-based specialists in the field: Adrian Sassoon, expert in 18th-century French porcelain and contemporary works of art in ceramic, and by Errol Manners of E. and H. Manners Cera
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Object of the Month: A rabbit as big as life

Selected by Meredith Chilton, C.M., Curator Emerita, Gardiner Museum, Toronto. Rabbit Tureen England, Chelsea, c. 1755–1756 Soft-paste porcelain with overglaze enamels (L: 14 in; W: 9 ½ in; H: 9 in) Mark: Anchor and 20 in red enamel Gardiner Museum, Toronto, Canada. G94.2.1. Purchased with a gift from Dr. Walter S. Bloom and Carol Bloom Koffler in memory of their mother, Adele S. Bloom, a collector and connoisseur of English porcelain; with a grant from the Government of Canada, Ministry of Com
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Object of the month: Fired Up: Large dish with painted fish, Iran c. 1300

Selected by Luke Syson, Director of the Fitzwilliam Museum. Fritware coated in white glaze painted in lustre and brown paint 12 cm (h) x 45.7 cm (w) Bequeathed by Oscar C.  Raphael  in 1946. Currently on public display in Gallery 33 of the Fitzwilliam Museum, Cambridge. Fired Up. As we emerge from this time of emergency, a global pandemic and the almost miraculously rapid production of vaccines, I’ve been pondering what other, more unexpected, more benign factors in our lives spurs scientific
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Through the Eyes of the Maker: Merete Rasmussen

Artist Merete Rasmussen discusses the perpetual draw of working with clay and the mindfulness of her practice. Merete Rasmussen is represented by Pangolin London.


Material Visions: Ceramic | Dr Hui Tang: Ru stoneware bowl, 1086-1125


Material Visions: Ceramic | Susie Silbert: Portrait Vessel, Ralph Bacerra, 1994


Susie Silbert: Half, by Jennifer Ling Datchuk, 2014



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